Volume 8 Issue 4 (2025)

Articles

Academic rites and cultural symbolism: Artistic representation of the Aboakyer Deer for the University of Education, Winneba Chancellor’s Investiture

Johnson Kwaku Edu
1-18
DOI: 10.63102/jaac.v8i4.202515

‘Kwame-nis!’, Nkrumah’s leadership dynamics, a facsimile of play directing in Osifisan’s Nkrumah-ni!…Africa-ni!: Panacea for Nigeria leaders

Tayo Simeon Arinde
19-33
DOI: 10.63102/jaac.v8i4.2025157

Archiving Yoruba liturgical choruses through art music compositions: A survey of some selected art music compositions

Kayode Morohunfola 
34-49
DOI: 10.63102/jaac.v8i4.2025156

Anthora: A conceptual framework for integrating indigenous songs into the kindergarten curriculum in Ghana

Bright Essel
50-62
DOI: 10.63102/jaac.v8i4.2025158

Sustainability and fuel consumption patterns in traditional firewood kilns: Implications for the pottery industry in Ghana

Daniel Ato Adubah
63-80
DOI: 10.63102/jaac.v8i4.2025159

Nsasawa: A mixed-media interactive re-envisioning black exoticism in Ghanaian socio-political archives

Francis Ankyiah
81-98
DOI: 10.63102/jaac.v8i4.202520

Libation is performed, not “poured”

Noble Nkrumah-Abraham
99-109
DOI: 10.63102/jaac.v8i4.202521

Social class and vowel variation in Ghanaian English: A sociophonetic study of some ESL university students

Edward Nii Mac-Palm, Rebecca Atchoi Akpanglo-Nartey
110-121
DOI: 10.63102/jaac.v8i4.202522

‘One vagina kills the penis’: Exploring Urhobo and Isoko attitudes towards polygamy

Eyankuaire Moses Darah
122-129
DOI: 10.63102/jaac.v8i4.202523

The Kakube festival of Nandom Traditional Area: Origin, musical traditions, and educational relevance in Ghana

Cosmas Nimbaaru
130-139
DOI: 10.63102/jaac.v8i4.202524

The creative arts pedagogy as a developmental tool for student-teachers in Ghana’s colleges of education: A case study of Gbewaa college of education

Wisdom Taylor
140-148
DOI: 10.63102/jaac.v8i4.202525

Mapping African theatre in the 21st Century: Tradition, transformation and digital futures

Margaret Ismaila, Ernest Kwasi Amponsah
149-186
DOI: 10.63102/jaac.v8i4.202526

A review of Ghanaian and Pan-African artistic renaissance: An in-depth interview with Anumnyam

Francis Gbormittah
187-208
DOI: 10.63102/jaac.v8i4.202527

The Concept of “Actor” in African Masquerade Performance

Abdulmalik Adakole Amali & Adebayo John Badeji
209-220
DOI: 10.63102/jaac.v8i4.202528