Volume 9 Issue 1 (2026)

Articles

MAPPING THE BARRIERS TO DEAF THEATRE PRACTICE IN GHANA

David Chapman Quayson, Divine Kwabena Atta Kyere-Owusu, Sika Koomson
1-18
DOI: 10.63102/jaac.v9i1.20261

YORUBA CULTURAL ETHOS AND LIMINAL DRAMATURGY: A DIRECTORIAL TOOL IN AHMED YERIMA’S KUTELU AND IKUDETI 

Tayo Simeon Arinde, Oludolapo Ojediran, Oluwatimileyin Omoniyi, Abolade Olawale Fakayode
19-33
DOI: 10.63102/jaac.v9i1.20262

NEEDLEPOINT TECHNIQUE AS A MEDIUM FOR CULTURAL EXPRESSION: A CASE STUDY OF THE BAMAYA DANCE IN TEXTILE ART

Fatimatu Hajia Ibrahim, Christopher Effah Oppong, Dennis Atsu Dake, Alex Kwasi Azaglo
34-50
DOI: 10.63102/jaac.v9i1.20263

CHOREOGRAPHING COEXISTENCE: DANCE, INTERFAITH DIALOGUE, AND CULTURAL MEDIATION IN MUSLIM COMMUNITIES OF NORTHERN GHANA

Tigwe Salifu Jebuni
51-61
DOI: 10.63102/jaac.v9i1.20264

CULTURAL DIPLOMACY THROUGH MUSIC: EVALUATING THE ROLE OF EMBASSIES AND EDUCATIONAL INSTITUTIONS IN INTERCULTURAL ARTS PROGRAMMING

Benjamin Amakye Boateng, Stephen Aidoo, Rosina Foli, Alfred Patrick Addaquay
62-79
DOI: 10.63102/jaac.v9i1.20265

CULTURAL MANAGEMENT STRATEGIES IN THE SACRED AND SECULAR PERFORMANCES OF AGAN FESTIVAL OF EGOSI IN KWARA STATE, NIGERIA

Kazeem Rufai-Ahmad
80-92
DOI: 10.63102/jaac.v9i1.20266

FROM RITUAL TO FESTIVAL: OFALA AS CULTURAL PERFORMANCE IN CONTEMPORARY IGBO SOCIETY

Charles Ikechukwu Nnaji
93-103
DOI: 10.63102/jaac.v9i1.20267

THE ARCHITECTURE OF THE SURFACE: A COMPARISON OF MATERIAL ONTOLOGY AND MASTERY IN THE WORKS OF ABLADE GLOVER AND ODD NERDRUM

Emmanuel Antwi, Kwabena Afriyie Poku
104-111
DOI: 10.63102/jaac.v9i1.20268

MAKE-UP ART: A VIABLE CAREER PATH FOR UNDEREMPLOYED GRADUATE GHANAIAN ARTISTS

Noble Nkrumah-Abraham, Ernest Kwasi Amponsah, Sampong Ofori-Anyinam
112-142
DOI: 10.63102/jaac.v9i1.20269

FROM RITUAL TO SCREEN: WESTERN THEATRE MAKE-UP REVOLUTIONS AND AFRICAN INDIGENOUS INNOVATION

Shadiat Olapeju Shuaib
143-157
DOI: 10.63102/jaac.v9i1.202610

NIGERIAN GOSPEL MUSICIANS’ PERCEPTION OF ILLNESS, HEALING AND ITS RELEVANCE: SOCIAL, ECONOMIC AND POLITICAL REALITIES

Taiye Shola Adeola
158-175
DOI: 10.63102/jaac.v9i1.202611

ETHNOMUSICOLOGY IN THE TWENTY-FIRST CENTURY: PRESERVING AND REINTERPRETING AFRICAN INDIGENOUS SOUNDS THROUGH DIGITAL ARCHIVES

Akin Osunniyi, Iyanuoluwa Ajayi 
176-186
DOI: 10.63102/jaac.v9i1.202612