2018 Volume 2 Issue 1
Download Front Matter
Acquah, E. O. (2018). Analytical pursuit of C.W.K. Mereku’s ‘Asomdwee Hen’ operetta
This article aims to introduce and analyse C.W.K. Mereku’s Asomdwee Hen, an operetta, which has been the most performed African ...
Read More
Read More
Tsey, D. & Kemevor, A. K. (2018). Meaning of artefacts in Asogli Traditional Area: Views from residents
The creation and production of meaningful artefacts for trade and tourism is one way by which accelerated industrialisation could be ...
Read More
Read More
Okogwu, A. (2018). Reminiscing ‘the milk of Nigerian womanhood’ exhibition: Entrepreneurial marriage of art and tourism
This pro-feminist discourse attempts to appreciate the ‘Milk of Nigerian Womanhood' which was the first International Art exhibition outing held ...
Read More
Read More
Donkor, E. K. (2018). Rejuvenating the junks: Exploring scrap metals as alternative materials for Ghanaian sculptors
The focus of this studio-based research is to transform scrap metals into aesthetic masterpiece of art. It is premised on ...
Read More
Read More
Damilola, E. F. & Abiola, M. T. (2018). Modes and significance of casting in the Nigerian theatre: Bolanle Austin-Peters’ ‘Saro’ and Felix Okolo’s ‘The Walking Stick’ in perspective
The concept of role-playing; auditions and the selection of artiste to play a part in a script is an exclusive ...
Read More
Read More
Bingah, P. (2018). The trilogy of love: Connecting the dots, re-enacting the love stories of Kofi Anyidoho and Atukwei Okai
This article explores the love stories in Kofi Anyidoho’s two love poems, namely Do not Give too much of your ...
Read More
Read More