2018 Volume 2 Issue 1

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Acquah, E. O. (2018). Analytical pursuit of C.W.K. Mereku’s ‘Asomdwee Hen’ operetta

This article aims to introduce and analyse C.W.K. Mereku’s Asomdwee Hen, an operetta, which has been the most performed African ...
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Tsey, D. & Kemevor, A. K. (2018). Meaning of artefacts in Asogli Traditional Area: Views from residents

The creation and production of meaningful artefacts for trade and tourism is one way by which accelerated industrialisation could be ...
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Okogwu, A. (2018). Reminiscing ‘the milk of Nigerian womanhood’ exhibition: Entrepreneurial marriage of art and tourism

This pro-feminist discourse attempts to appreciate the ‘Milk of Nigerian Womanhood' which was the first International Art exhibition outing held ...
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Donkor, E. K. (2018). Rejuvenating the junks: Exploring scrap metals as alternative materials for Ghanaian sculptors

The focus of this studio-based research is to transform scrap metals into aesthetic masterpiece of art. It is premised on ...
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Damilola, E. F. & Abiola, M. T. (2018). Modes and significance of casting in the Nigerian theatre: Bolanle Austin-Peters’ ‘Saro’ and Felix Okolo’s ‘The Walking Stick’ in perspective

The concept of role-playing; auditions and the selection of artiste to play a part in a script is an exclusive ...
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Bingah, P. (2018). The trilogy of love: Connecting the dots, re-enacting the love stories of Kofi Anyidoho and Atukwei Okai

This article explores the love stories in Kofi Anyidoho’s two love poems, namely Do not Give too much of your ...
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