Volume 8 Issue 3 (2025)

Issue DOI: 10.63102/jaac.

Articles

Aesthetics of the Rampageous Body: Investigating Body Idolisation among Ghanaian Youth
Patrique deGraft-Yankson, Joseph Essuman
1-14
DOI: 10.63102/jaac.v8i3.20251

Beyond Vandalism: Analysing Graffiti as Visual Communication and Cultural Commentary at KNUST
Isaac Essah Adu, Nicholas Opoku, Samuel Osei Sarpong
15-30
DOI: 10.63102/jaac.v8i3.20252

Analytical Presentation of Samuel Dowaana Mensah’s “Toondan Jilma Lana Naa Osei Tutu II (Otumfuo Osei Tutu II – A Glorious Leader)
Elizabeth Asamoah
31-42
DOI: 10.63102/jaac.v8i3.20253

The Influence of Self-Efficacy on Children’s Drawing in Ghana
Sumaila Issah
43-52
DOI: 10.63102/jaac.v8i3.20254

Music, Dance and Language as the Primary Elements of Funerary Rites for Chiefs: A Case Study of the Chief of New Juaben
Benjamin Amakye-Boateng, Adwoa Arhine, Joshua Alfred Amuah, Kofi Agyekum
53-70
DOI: 10.63102/jaac.v8i3.20255

The Linguistic and Poetic Analysis of Ga Traditional Music
Nii Darku Ofori-Obeng Dodoo
71-79
DOI: 10.63102/jaac.v8i3.20256

Gendered Trajectories in Graphic Design and Animation: Reassessing the Role and Representation of Women in the Creative Industry in Ghana
Solace Emefa Adzei
80-89
DOI: 10.63102/jaac.v8i3.20257

From Resistance to Renewal: Framing the New Generation of African Indigenous Language Films as Sixth Cinema
Ramatu Mustapha Dadzie 
90-105
DOI: 10.63102/jaac.v8i3.20258

On Suppression and Counter-Accusations: The Veneration of Traditional Ghanaian Monuments from the Creative Artist’s View
Noble Nkrumah-Abraham, Ernest Kwasi Amponsah
106-115
DOI: 10.63102/jaac.v8i3.20259

“Mise Gli Loo”: Illustrations from the Musical Fable Self-Serving, Predicated on the Musico-Dramatic Genre of Storytelling
Wisdom Komabu
116-130
DOI: 10.63102/jaac.v8i3.202510

My Dancing Reflects your Teaching: An Autobiographical Exploration of African Dance Pedagogy
Kofi Anthonio
131-141
DOI: 10.63102/jaac.v8i3.202511

Exploring the Influences of Indigenous Cultural Practices on Traditional Nigerian Theatre Design
Abdulmalik Adakole Amali
142-152
DOI: 10.63102/jaac.v8i3.202512

Contemporary Art Songs for Selected Ghanaian Languages: Composition and Analysis
Godfred Sackey
153-201
DOI: 10.63102/jaac.v8i3.202513

Symbiotic Relationship between Live Theatre and the Other Media: A Metaphor of the Epiphyte
Baba Haruna
202-213
DOI: 10.63102/jaac.v8i3.202514